Lessons A to Z
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B
Back to Basics Guitar Workshop – Part 1
Back to Basics Guitar Workshop – Part 2
Back to Basics Guitar Workshop – Part 3
Back to Basics Guitar Workshop – Part 4
Back to Basics Guitar Workshop – Part 5
Back to Basics Guitar Workshop – Part 6
Build Your Own Scales - Part 1
Build Your Own Scales - Part 2
Building a Practice Routine - Part 1
Building a Practice Routine - Part 2
Building a Practice Routine - Part 3
C
Chord Etude – Modern Progressions – Part 1
Chord Etude – Modern Progressions – Part 2
Chord Etude 2 Stella changes – Part 1
Chord Etude 2 Stella changes – Part 2
Chord Etude 2 Stella changes – Part 3
Chord Etude - Standard Tune - Spread Triads
Chord Scales - Dorian and Melodic Minor
Chord Scales Etude - "500 Miles" Changes
Chord Vocabulary - Altered Dominant
Chord Vocabulary - Dominant Diminished
Chord Vocabulary - Min7 Dorian
Chord Vocabulary - Min7 flat 5
Chromatic Interval Combinations
Comping Expansions 1 - Two Chords per Measure
Comping Expansions 2 - Chord Articulation
Comping with Two Chords per Measure
Connecting Chords and Scales - Part 1
Connecting Chords and Scales - Part 2
Connecting Chords and Scales - Part 3
Connecting Chords and Scales - Part 4
Connecting Chords and Scales - Part 5
Connecting Chords and Scales - Part 6
Connecting Melodic Minor Triads
Connecting Positions and Single Strings
Connecting Shapes Across the Fretboard
Connecting 3 x 3 Intervallic Shapes
Creative Fretboard Visualization - Part 1
Creative Fretboard Visualization - Part 2
Creative Fretboard Visualization - Part 3
D
Departure and Destination Notes - Part 1
Departure and Destination Notes - Part 2
Departure and Destination Notes - Part 3
Departure and Destination Notes - Part 4
Developing a Swing Feel - Part 1
Developing a Swing Feel - Part 2
Developing a Swing Feel - Part 3
Developing a Swing Feel - Part 4
Developing Your Personal Sound - Part 1
Developing Your Personal Sound - Part 2
Developing Your Personal Sound - Part 3
Developing Your Personal Sound - Part 4
Diminished Scale Arpeggio Concepts
Diminished Scale Chord Voicings
Diminished Scale Groupings - Part 2
Dominant Diminished Course - Part 1
Dominant Diminished Course - Part 2
Dominant Diminished Course - Part 3
Dominant Diminished Course - Part 4
Dominant Diminished Course - Part 5
Dominant Diminished Course - Part 6
Doubled Note Fingering Transitions
E
Expanding Chordal Vocabulary Course – Part 1
Expanding Chordal Vocabulary Course – Part 2
Expanding Chordal Vocabulary Course – Part 3
Expanding Chordal Vocabulary Course – Part 4
Expanding Chordal Vocabulary Course – Part 5
Expanding Chordal Vocabulary Course – Part 6
Expanding Chordal Vocabulary Course – Part 7
Expanding Chordal Vocabulary Course – Part 8
Expanding Diatonic Chord Knowledge
Expanding Guide Tones - Part 1
Expanding Guide Tones - Part 2
Expanding Guide Tones - Part 3
H
Harmonic Minor Course - Part 1
Harmonic Minor Course - Part 2
Harmonic Minor Course - Part 3
Harmonic Minor Course - Part 4
Harmonic Minor Course - Part 5
Harmonic Minor Course - Part 6
Harmonizing Melodies Course - Part 1
Harmonizing Melodies Course - Part 2
Harmonizing Melodies Course - Part 3
Harmonizing Melodies Course - Part 4
Harmonizing Melodies Course - Part 5
How to Get the Most Out of Concepts
How to Improvise over "Downtown" - Part 1
How to Improvise over "Downtown" - Part 2
How to Play "Electric" - Part 1
How to Play "Electric" - Part 2
How to Play "Electric" - Part 3
How to Practice "Line of the Week"
How to Use Patterns in Improvisation
Hybrid Picking Four Note Structures
Hybrid Picking Spread Triads – Part 1
Hybrid Picking Spread Triads – Part 2
I
Â
Improvising Over Chord Changes Course – Part 1
Improvising Over Chord Changes Course – Part 2
Improvising Over Chord Changes Course – Part 3
Improvising Over Chord Changes Course – Part 4
Improvising Over Chord Changes Course – Part 5
Improvising Over Chord Changes Course – Part 6
Improvising Over Chord Changes Course – Part 7
Improvising Over Chord Changes Course – Part 8
Improvising Over Chord Changes Course – Part 9
Improvising Over Complex Changes - Part 1
Improvising Over Complex Changes - Part 2
Improvising Over Complex Changes - Part 3
Improvising Over Complex Changes - Part 4
Intervallic Chromatic Density Etude
L
Line Etude - Maj7 Maj7#5 Arpeggios
Line Etude Blues - 212121 Arpeggios – Part 1
Line Etude Blues - 212121 Arpeggios – Part 2
Line Etude Blues - Three Notes Per String
Linear Etude - Standard Changes
Linear Vocabulary Chromatic Lines
Linear Vocabulary ii V I - Part 1
Linear Vocabulary ii V I - Part 2
Linear Vocabulary minor ii V I - Part 3
Linear Vocabulary minor ii V IÂ - Part 4
Linking Triad Shapes and Scales – Part 1
M
Maj7 Arpeggio Fingering Exercise
Major Scale Counterpoint Exercise
Major Scales Modes Scale Exercise
Mastering the ii V I Progression Course – Part 1
Mastering the ii V I Progression Course – Part 2
Mastering the ii V I Progression Course – Part 3
Mastering the ii V I Progression Course – Part 4
Mastering the ii V I Progression Course – Part 5
Mastering the ii V I Progression Course – Part 6
Mastering the ii V I Progression Course – Part 7
Mastering the ii V I Progression Course – Part 8
Mastering the ii V I Progression Course – Part 9
Melodic Minor Chord Positions - Part 1
Melodic Minor Chord Positions - Part 2
Melodic Minor Chord Positions - Part 3
Melodic Minor Improvisation – Part 1
Melodic Minor Improvisation – Part 2
Melodic Minor Improvisation – Part 3
Melodic Minor Improvisation – Part 4
Melodic Minor Improvisation – Part 5
Melodic Minor Improvisation – Part 6
Melodic Minor Improvisation – Part 7
Melodic Minor Improvisation – Part 8
Melodic Minor Improvisation – Part 9
Melodic Minor Improvisation – Part 10
Melodic Minor Improvisation – Part 11
Melodic Minor Improvisation – Part 12
Melodic Minor Scale Fragment Improvisation
Melodic Phrases - Altered Dominant
Minor Pentatonic Adjacent Strings
Minor Pentatonic, Minor ii-V-i
Minor Pentatonic Chord Concepts
Modal Linear Connections - Dorian
Modern Comping Course - Part 1
Modern Comping Course - Part 2
Modern Comping Course - Part 3
Modern Comping Course - Part 4
Modern Comping Course - Part 5
Modern Comping Course - Part 6
Modern Comping Course - Part 7
Modern Comping Course - Part 8
Modern Comping Course - Part 9
R
Random Chord Improvisation Practice
Reharmonization Course - Part 1
Reharmonization Course - Part 2
Reharmonization Course - Part 3
Reharmonization Course - Part 4
Reharmonization Course - Part 5
Reharmonization Course - Part 6
Reharmonization for Composition Course - Part 1
Reharmonization for Composition Course - Part 2
Reharmonization for Composition Course - Part 3
Reharmonization for Composition Course - Part 4
Reharmonization for Composition Course - Part 5
Rhythm Changes Course - Part 1
Rhythm Changes Course - Part 2
Rhythm Changes Course - Part 3
Rhythm Changes Course - Part 4
Rhythm Changes Course - Part 5
Rhythm Changes Course - Part 6
Rhythm Changes Course - Part 7
Rhythm Changes Course - Part 8
S
Scales in Different Directions
Single String Scales in Thirds
Skipped String Diminished Scale Shapes
Skipped String Intervallic Shapes
Skipped String Quartal Voicings
Skipped String Triad Articulation
Skipped String Triad Pair Articulation
Soloing over Giant Steps - Part 1
Soloing over Giant Steps - Part 2
Soloing over Giant Steps - Part 3
Soloing over Giant Steps - Part 4
Soloing over Giant Steps - Part 5
Soloing over Giant Steps - Part 6
Soloing over Giant Steps - Part 7
Soloing over Giant Steps - Part 8
Soloing Over Unrelated Chords - Part 1
Soloing Over Unrelated Chords - Part 2
Soloing Over Unrelated Chords - Part 3
Soloing Over Unrelated Chords - Part 4
Spread Triad - Inversions on the String Sets
Spread Triad - Warmup Exercise
Spread Triads Across the Fretboard
Spread Triads – All the Things
Spread Triads - Multiple Fingerings
String Skipping 4 Note Pattern
T
Three Note Per String Scales – Part 1
Three Note Per String Scales – Part 2
Traditional 2-5-1 Phrases - Part 1
Traditional 2-5-1 Phrases - Part 2
Traditional 2-5-1 Phrases - Part 3
Traditional 2-5-1 Phrases - Part 4
Triad Add 9 Fingering Variations
Triad Improvisation – Part 1
Triad Improvisation – Part 2
Triad Improvisation – Part 3
Triad Improvisation – Part 4
Triad Improvisation – Part 5
Triad Improvisation – Part 6
Triad Improvisation – Part 7
Triad Improvisation – Part 8
Triad Improvisation – Part 9
Triad Improvisation – Part 10
Triad Improvisation – Part 11
Triad Improvisation – Part 12
Triads over Bass Notes - Part 1
Triads over Bass Notes - Part 2
Triads over Bass Notes - Part 3
Triads over Bass Notes - Part 4
Triad over Bass Composition Exercise
Triads over Standards - Part 1
Triads over Standards - Part 2
Triads over Standards - Part 3
Triads over Standards - Part 4
#
1-5-11-7 Voicings Melodic Minor
2 Note Per String Linear Concept – Part 1
2 Note Per String Linear Concept – Part 2
2 Note Per String Melodic Minor Shapes
2-1-1 Descending Patterns - Part 1
2-1-1 Descending Patterns - Part 2
2-1-1 Lines, ii-V-I Progressions
2-1-2 Arpeggios Diatonic Etude
2-1-2 Arpeggios Diminished Scale
2-1-2 Arpeggios Major Scale Modes – Part 1
2-1-2 Arpeggios Major Scale Modes – Part 2
2-1-2 Arpeggios Minor Pentatonic
2-1-2 Arpeggios Minor Pentatonic 5th String Root
2-1-2 Arpeggios 9 Note Symmetrical Scale
2-1-2 Melodic Fragments – Part 1
2-1-2 Melodic Fragments – Part 2
2-1-2 5th Arpeggios 5th String Root
2-1-2 5th Arpeggios 5th String Root - Part 2
2-5-1 Adjacent String Improvisation
2-5-1Â Minor Pentatonic - Part 1
2-5-1 Minor Pentatonic - Part 2
3 Note per String Diminished Patterns
5th Interval Arpeggios - Part 1
5th Interval Arpeggios - Part 2
5th Interval Arpeggios - Part 3